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“Magnolia” is many, many (many) things, but first and foremost it’s a movie about people who're fighting to live above their pain — a theme that not only runs through all nine parts of this story, but also bleeds through Paul Thomas Anderson’s career. There’s John C. Reilly as Officer Jim Kurring, who’s correctly cast himself given that the hero and narrator of the non-existent cop show in order to give voice for the things he can’t acknowledge. There’s Jimmy Gator, the dying game show host who’s haunted by many of the ways he’s failed his daughter (he’s played by the late Philip Baker Hall in one of the most affectingly human performances you’ll ever see).
On the international scene, the Iranian New Wave sparked a class of self-reflexive filmmakers who noticed new layers of meaning in what movies could be, Hong Kong cinema was climaxing given that the clock on British rule ticked down, a trio of main directors forever redefined Taiwan’s place inside the film world, while a rascally duo of Danish auteurs began to impose a new Dogme about how things should be done.
Babbit delivers the best of both worlds with a real and touching romance that blossoms amidst her wildly entertaining satire. While Megan and Graham tend to be the central love story, the ensemble of try-hard nerds, queercore punks, and mama’s boys offers a little something for everyone.
Other fissures arise along the family’s fault lines from there since the legends and superstitions of their previous once again become as viscerally powerful and alive as their hard love for each other. —RD
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From the decades given that, his films have never shied away from tricky subject matters, as they tackle everything from childhood abandonment in “Abouna” and genital mutilation in “Lingui, The Sacred Bonds,” into the cruel bureaucracy facing asylum seekers in “A Time In France.” While the dejected character he portrays in “Bye Bye Africa” ultimately leaves his camera behind, it can be to cinema’s great fortune that the real Haroun didn't do the same. —LL
Adapted from Jeffrey Eugenides’s wistful novel and featuring voice-over narration lifted from its pages (examine by Giovanni Ribisi), the film friends into carmela clutch the lives on the Lisbon sisters alongside a clique of neighborhood boys. Mesmerized via the willowy young women — particularly Lux (Kirsten Dunst), the household coquette — the young gents study and surveil them with a way of longing that is by turns amorous and meditative.
Besson succeeds when he’s pushing everything just a bit far too far, and Reno’s lovable turn inside the title role helps cement the movie freshporno being an urban fairytale. A lonely hitman with a heart of gold plus a soft spot for “Singin’ inside the Rain,” Léon is Probably the purest movie simpleton to come out on the decade that created “Forrest Gump.
“To me, ‘Paris Is Burning’ is such a gift during the feeling that it introduced me to your world and also to people who were very much like me,’” Janet Mock told IndieWire in 2019.
Instead of acting like Adèle’s knight in shining armor, Gabor blindfolds himself and throws razor-sharp daggers at her face. Over time, however, the belief these lost souls place in each other blossoms into roxie sinner the kind of ineffable bond that only the movies can make you believe in, as their act soon takes on an erotic quality that cuts much deeper than intercourse.
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Despite criticism for its fictionalized account of Wegener’s story as well as the casting of cisgender actor Eddie Redmayne inside the title role, the film was a group-pleaser that performed well within the box office.
And still, upon meeting a stubborn young boy whose mother has just died, our jav guru heroine can’t help but badwap soften up and offer poor Josué (Vinícius de Oliveira) some help. The kid is quick to offer his possess judgments in return, as his gendered assumptions feed into the combative dynamic that flares up between these two strangers as they travel across Brazil in search from the boy’s father.
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